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Brittany Howard has never let the world dictate her fate. In her still-young career, her musical outpouring has been relentless: she’s formed three bands (Alabama Shakes, Thunderbitch, and Bermuda Triangle), released four albums (two with the Shakes, one with Thunderbitch, and a recent solo record, Jaime), and worked herself into a dizzy, dripping fever on countless stages. Each successive project has marked a step in a new direction, but none more so than, Jaime, her first nakedly autobiographical album.
Though Howard’s prior music had been personal to varying degrees, Jaime was the sort of work that only she could make, and that she could only make alone. Named after her sister who died of cancer as a teenager, it faced